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Site Updated: 25 May, 2010
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Communication through symbols the origins of lettering
It wouldn’t have taken our ancestors long, relatively speaking, to realise that they
could simplify some pictures and replace them with symbols.
A few abstract lines could represent an object or thing and be recognisable to many
people, as in the matchstick men children are familiar with.
We call these symbols ‘pictograms’ (picture writing). Pictograms are still in use
everyday on our road signs, public buildings, petrol stations and packaging. If you
wish to use the toilet in a public place you will know whether you are going to the
Ladies or the Gents wherever you are in the world (unless, of course, there are strong
cultural differences in dress code!) because of the pictograms used to represent
the place.
The use of pictograms does not necessarily imply an organised spoken language though.
Words are not needed if you recognise the picture. However, the use of pictograms
is limited as a means of conveying detailed information. To further represent ideas,
or abstract concepts, ‘ideograms’ (the writing of ideas) were used.
The symbol used for the sun, a circle, could also represent heat, day or time, while
the symbol for the moon, a crescent, could also represent darkness or night.
These
are concepts, or ideas, rather than actual objects. The drawing of the eye can represent
an eye as a thing but it can also represent the concepts of seeing or watching.
These symbols would have been recognisable to someone if they were aware of the context
in which they were used. However, with different cultures developing different writing
systems it is possible that one symbol used by one group of people might not be recognised
by another.
Some abstract concepts cannot be represented as a single picture and another method
was used to represent these.
Called the ‘rebus device’ (From the Latin "rebus", meaning “things”), it used the
combination of two pictures for their sound values alone and would suggest a well-developed
spoken language. For instance, a picture of a bee and a leaf together form the word
‘belief’ (bee-leaf).
Forgive my corny attempts but I think you will begin to get the idea from the diagram
(left - click the image for a larger version). Neither part of the device applies
directly to the meaning of the word implied (except, perhaps, for the image of an
eye) but the meaning can be easily deduced from the sounds of the separate components.
Try making up some of your own!
Some of the eastern countries, by contrast, still use pictograms and ideograms in
a form called logograms in their writings today. This is evident in Chinese and Japanese
in particular. They are literally sets of visual characters that have developed into
a series of ‘logos’ over time, each logo representing a word.
Because of the diversity
of spoken language in China there are thousands of these characters and it can take
a lifetime to learn them all. To top it all, unlike an alphabetic writing system,
the Chinese need to invent new characters, and learn them, for new words introduced
into their language. The number of characters in their ‘alphabet’ is always growing.
The advantage of logographs, for the Chinese, is that although many different languages
are spoken across their vast continent, their written characters are the same. This
means that two people from opposite sides of the country can communicate by the written
word even if they can’t understand each other’s speech. The other amazing fact is
that Japanese or Chinese people can understand some of each other's symbols.
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